The Tale of Prince Samuttakote: A Buddhist Epic from Thailand

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Ohio University Center for International Studies, 1993 - 276 ˹
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During the seventeenth and eighteenth centuries, Thai poets produced epics depicting elaborate myths and legends which intermingled the human, natural, and supernatural worlds. One of the most famous of these classical compositions is the Samuttakhoot kham chan, presented here in English for the first time as The Tale of Prince Samuttakote. The work of three poets, it was begun during the reign of King Naray (1656-1688) and was completed in 1849 by the patriarch-prince Paramanuchit Chinorot (1790-1853).

Translated with enchanting poetic imagery, the poem relates the adventures of Prince Samuttakote and his princess as they tour the heavenly realms with a magic sword. The two are separated after the sword is stolen but are reunited after further adventures. Upon ascending the throne, they teach the moral code of precepts and how all life is affected by it. The poem is important for its depiction of the amusements and daily life of seventeenth-century Thailand and for its use of classic Thai poetic devices.

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辺Ԩó 觢ŷ

Invocation
3
The Baldheaded Men Fight
18
The Seer Opens the Forest
36
The Spirit Transports Samuttakote to Phintumadi
59
Phintumadi Searches for Samuttakote
76
The Wedding Contest
89
Samuttakote Battles the Suitors
106
NOTES
227
BIBLIOGRAPHY
273
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Thomas John Hudak is professor of Southeast Asian linguistics in the School of Human Evolution and Social Change, Arizona State University.