Theatre in Southeast AsiaHarvard University Press, 1967 - 370 หน้า An astonishing variety of theatrical performances may be seen in the eight countries of Southeast Asia—Burma, Cambodia, Indonesia, Laos, Malaysia, the Philippines, Thailand, and Vietnam. James Brandon spent more than three years observing and interviewing troupe members in these countries. He describes twenty-five of the most important theatrical forms, grouping them according to their origins as folk, court, popular, or Western theatre. He considers the theatre from four perspectives: its origins, its art, its role as a social institution, and its function as a medium of communication and propaganda. Brandon’s wide-ranging and lively discussion points out interesting similarities and differences among the countries, and many of his superb photographs are included here. |
เนื้อหา
INTRODUCTION | 1 |
THE CULTURAL SETTING | 7 |
H R H Princess Buppha Dévi and dancers of the Royal Cambodian | 23 |
THE DEVELOPMENT OF THEATRE GENRES | 41 |
Javanese Wayang Kulit | 43 |
Gatutkatja cutting off the head of the ogre Mingkalpa | 46 |
TRADITIONS OF THEATRE | 61 |
718 | 72 |
Number of theatre troupes related to population in selected cities | 180 |
Theatre as Communication | 188 |
Social Contract following page | 198 |
Membership composition of four different types of troupes | 209 |
Estimated average nightly gross income of troupes | 239 |
Average nightly salaries paid members of one large wayang | 247 |
Educational level of young and old wayang golek puppeteers | 270 |
Modernization following page | 284 |
Court and Western Theatre Traditions 82 | 82 |
A wooden clown figure in Javanese wayang klitik | 86 |
5 | 88 |
MUSIC AND DANCE | 125 |
Typical Musical Ensembles Used in Major Theatre Genres | 130 |
8 | 134 |
The tarian ashek a Malay folk dance popular in ancient times | 134 |
Production | 146 |
Transmission following page | 162 |
Number of amateur theatre troupes registered in East Java | 166 |
EXTENT AND DISTRIBUTION | 171 |
Estimated number of professional theatre troupes in Southeast | 173 |
13 | 179 |
Number of troupes and performers employed by offices of | 289 |
PAST AND PRESENT | 291 |
THEATRE AND OTHER MASS MEDIA | 302 |
Estimated number of radio sets and percentage of population | 303 |
Communication following page | 306 |
THEATRE AND THE COMMUNICATION PROCESS | 314 |
MAJOR THEATRE GENRES AS PERFORMED | 325 |
BIBLIOGRAPHY | 335 |
GLOSSARY | 347 |
355 | |
361 | |
ฉบับอื่นๆ - ดูทั้งหมด
คำและวลีที่พบบ่อย
actors animistic ardja Arjuna army artistic audience BAKOKSI Bali Balinese Ballet Bandung Bangkok bangsawan barong Brahmanic Buddhist Burma Burmese cai luong cai luong troupes Cambodia century Chinese opera classic clown costumes culture dagelan dalang dance dance-drama dancers ensemble epics gamelan Hanoman hero Indian Indonesia Islamic Jataka jatri Javanese Javanese wayang Jogjakarta ketoprak ketoprak troupe Khmer khon kich king kingdom lakon lakon bassac lakon jatri lakon nai Laos likay ludruk magic power Mahabharata major Malay Malaysia melodies mohlam luong movie nang talung nang yai nese ogre palace Panji percent Philippines plays popular theatre prince professional troupes Rama Ramayana Ravana religious Royal rupiah Saigon sandiwara Scene scripts shadow singers Southeast Asia stage style Sundanese temple Thai National Theatre Thailand theatre forms theatre troupes ticket tion traditional troupe manager troupes perform Untung Vietnam Vietnamese village wayang golek wayang kulit wayang orang troupe Western