Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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A.M. Hammacher , Amsterdamsche Impressionisten en hun Kring , Amsterdam 1941 , is a sensitive study of Breitner and his Amsterdam colleagues . P.H. Hefting and C.C.G. Quarles van Ufford , in Breitner als Fotograaf , Rotterdam 1966 ...
A.M. Hammacher , Amsterdamsche Impressionisten en hun Kring , Amsterdam 1941 , is a sensitive study of Breitner and his Amsterdam colleagues . P.H. Hefting and C.C.G. Quarles van Ufford , in Breitner als Fotograaf , Rotterdam 1966 ...
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Stedelijk Museum , Amsterdam The Shortest Day 1970 . So photographs / wood 68 x 73 * ( 170 X 184 ) . Van Abbemuseum , Eindhoven 196 Panel 143 * 184 ( 36.5 * 47.5 ) . Museum Boymans - van Beuningen , Rotterdam BOSCH , Jheronimus ...
Stedelijk Museum , Amsterdam The Shortest Day 1970 . So photographs / wood 68 x 73 * ( 170 X 184 ) . Van Abbemuseum , Eindhoven 196 Panel 143 * 184 ( 36.5 * 47.5 ) . Museum Boymans - van Beuningen , Rotterdam BOSCH , Jheronimus ...
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Rijksmuseum , Amsterdam 9 The Bones of John the Baptist 1490-95 . Panel 673 x 548 ( 172 X 139 ) Kunsthistorisches Museum , Vienna KOEKKOEK , B.C. ( 1803-62 ) 138 The Old Oak 1849. 31 $ x 413 ( 79 % 103 ) .
Rijksmuseum , Amsterdam 9 The Bones of John the Baptist 1490-95 . Panel 673 x 548 ( 172 X 139 ) Kunsthistorisches Museum , Vienna KOEKKOEK , B.C. ( 1803-62 ) 138 The Old Oak 1849. 31 $ x 413 ( 79 % 103 ) .
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |