Dutch PaintingOxford University Press, 1978 - 216 ˹éÒ Dutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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˹éÒ 12
... Christ , and an Apostle , presumably Peter . They act the story , which is a demonstration of divine power . Behind Christ stand other disciples , together with Mary , Lazarus ' other sister . They are very quiet , for they know and don ...
... Christ , and an Apostle , presumably Peter . They act the story , which is a demonstration of divine power . Behind Christ stand other disciples , together with Mary , Lazarus ' other sister . They are very quiet , for they know and don ...
˹éÒ 21
... Christ's presence had to be emphasized , and so did the gesture of baptism made by John . In medieval art , not restricted by the laws of realism , Christ would have been identified by a golden nimbus . Also , he would have been larger ...
... Christ's presence had to be emphasized , and so did the gesture of baptism made by John . In medieval art , not restricted by the laws of realism , Christ would have been identified by a golden nimbus . Also , he would have been larger ...
˹éÒ 22
Rudi Fuchs. - above Christ's head . Moreover Christ is set off as a major figure by the slightly stooping posture of the Baptist bending over him a suggestion taken over by the curved tree - trunk . The momentous emotional significance ...
Rudi Fuchs. - above Christ's head . Moreover Christ is set off as a major figure by the slightly stooping posture of the Baptist bending over him a suggestion taken over by the curved tree - trunk . The momentous emotional significance ...
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abstract actual aesthetic Amsterdam architectural artist background Banquet basic became Caravaggio Christ church classical Claudius Civilis colour composition conception contemporary Cornelis Cornelisz Cornelis Troost course direct Doesburg Early Netherlandish Early Netherlandish painting elegant elements emotional Esaias Esaias's example expression Eyck figures foreground formal Geertgen genre painting Gestel gesture Gogh Goyen Haarlem Hals history painting Holland Honthorst Huijgens humanist influence instance invention Italian Jacob van Ruisdael Jan Steen landscape Lastman Lazarus Leiden light logical look Mannerism Mannerist master Mondrian moral narrative nature Nausicaa Netherlandish painting objects Odysseus Ouwater painter Peleus pictorial picture picture-plane Pieter portrait portraiture precise problem quack realism reality Rembrandt Ruisdael Saenredam Salomon van Ruysdael scene Scorel seems sense seventeenth century shows sixteenth century space spatial Steen Stijl still-life story strong structure style stylistic subtly symbolic Tachism Terbrugghen tonal tradition tree Troost typical Velde Vermeer visual