Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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Their paintings are Nature embellished , elevated and dramatized by Art . In doing so Bloemaert and Cornelis Cornelisz . associated themselves , consciously no doubt , with the International High Mannerism of which the theoretical ...
Their paintings are Nature embellished , elevated and dramatized by Art . In doing so Bloemaert and Cornelis Cornelisz . associated themselves , consciously no doubt , with the International High Mannerism of which the theoretical ...
˹éÒ 65
For the new generation of history painters such as Lastman an arrangement like Cornelis Cornelisz.'s Marriage of Peleus and Thetis , in which the subject only provides a motive for a highly inventive arrangement of elegant male and ...
For the new generation of history painters such as Lastman an arrangement like Cornelis Cornelisz.'s Marriage of Peleus and Thetis , in which the subject only provides a motive for a highly inventive arrangement of elegant male and ...
˹éÒ 215
National Gallery , London VROOM , Cornelis ( 1566-1640 ) 82 The Arrival at Flushing of the Elector Palatine Frederick V c . 1632. 797 161 ( 203 X 409 ) . Frans Hals Museum , Haarlem WEISSENBRUCH , J.H. ( 1824-1903 ) 143 Souvenir de ...
National Gallery , London VROOM , Cornelis ( 1566-1640 ) 82 The Arrival at Flushing of the Elector Palatine Frederick V c . 1632. 797 161 ( 203 X 409 ) . Frans Hals Museum , Haarlem WEISSENBRUCH , J.H. ( 1824-1903 ) 143 Souvenir de ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |