Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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After this and other first essays by Buytewech ( brilliant in their total commitment to a new style ) , the Haarlem manner of genre painting quickly gained influence . No doubt an important and decisive point in the development was the ...
After this and other first essays by Buytewech ( brilliant in their total commitment to a new style ) , the Haarlem manner of genre painting quickly gained influence . No doubt an important and decisive point in the development was the ...
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CHAPTER FOUR Images of pride Types of portraiture } By 1610 , the year that Frans Hals ( 1581-1666 ) joined the Haarlem Guild of St Luke , the art of portraiture , lacking real imaginative impulse , had become orthodox .
CHAPTER FOUR Images of pride Types of portraiture } By 1610 , the year that Frans Hals ( 1581-1666 ) joined the Haarlem Guild of St Luke , the art of portraiture , lacking real imaginative impulse , had become orthodox .
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Frans Hals Museum , Haarlem KOCH , Pyke ( b . 1901 ) 175 Shooting Gallery 1931. 663 X 51 $ ( 170 X 130 ) . Museum Boymans - van Beuningen , Rotterdam 54 ) . Collection Haags Gemeentemuseum , The Hague GEERTGEN tot Sint Jans ( 1460 ...
Frans Hals Museum , Haarlem KOCH , Pyke ( b . 1901 ) 175 Shooting Gallery 1931. 663 X 51 $ ( 170 X 130 ) . Museum Boymans - van Beuningen , Rotterdam 54 ) . Collection Haags Gemeentemuseum , The Hague GEERTGEN tot Sint Jans ( 1460 ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |