Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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CHAPTER FOUR Images of pride Types of portraiture } By 1610 , the year that Frans Hals ( 1581-1666 ) joined the Haarlem Guild of St Luke , the art of portraiture , lacking real imaginative impulse , had become orthodox .
CHAPTER FOUR Images of pride Types of portraiture } By 1610 , the year that Frans Hals ( 1581-1666 ) joined the Haarlem Guild of St Luke , the art of portraiture , lacking real imaginative impulse , had become orthodox .
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1621 ) by Hals and of Abraham del Court and his Wife ( 1654 ) by the successful Amsterdam portraitist Bartholomeus van der Helst ( 1613-70 ) , so different in execution and yet so similar in type , the wives seem only slightly less ...
1621 ) by Hals and of Abraham del Court and his Wife ( 1654 ) by the successful Amsterdam portraitist Bartholomeus van der Helst ( 1613-70 ) , so different in execution and yet so similar in type , the wives seem only slightly less ...
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Meanwhile , the banquet picture also underwent innovative changes when Hals tried his hand at the subject , first in 1616 and again in 1627 , when he designed The Banquet of the Officers of the Company of St Hadrian .
Meanwhile , the banquet picture also underwent innovative changes when Hals tried his hand at the subject , first in 1616 and again in 1627 , when he designed The Banquet of the Officers of the Company of St Hadrian .
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |