Dutch PaintingOxford University Press, 1978 - 216 หน้า Dutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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ผลการค้นหา 1 - 3 จาก 30
หน้า 20
... Italian humanist aesthetics as a powerful influence in northern painting ; by combining his northern sense of acute observation with an Italian formal model , he founded a style which in art history is known as ' Romanism ' . One ...
... Italian humanist aesthetics as a powerful influence in northern painting ; by combining his northern sense of acute observation with an Italian formal model , he founded a style which in art history is known as ' Romanism ' . One ...
หน้า 29
... Italian Mannerist painting - and could be , given the Italian tradition in figure design which was lacking in the north . Bosch had to work within the context of a native skill , that of meticulous portraiture . His narrative is built ...
... Italian Mannerist painting - and could be , given the Italian tradition in figure design which was lacking in the north . Bosch had to work within the context of a native skill , that of meticulous portraiture . His narrative is built ...
หน้า 208
... Italian art , but since Italian art and theory became the model throughout Europe it applies to Dutch painting too . L. B. Alberti's book , De pictura , the most influential theoretical treatise of all time , has received an exemplary ...
... Italian art , but since Italian art and theory became the model throughout Europe it applies to Dutch painting too . L. B. Alberti's book , De pictura , the most influential theoretical treatise of all time , has received an exemplary ...
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abstract actual aesthetic Amsterdam architectural artist background Banquet basic became Caravaggio Christ church classical Claudius Civilis colour composition conception contemporary Cornelis Cornelisz Cornelis Troost course direct Doesburg Early Netherlandish Early Netherlandish painting elegant elements emotional Esaias Esaias's example expression Eyck figures foreground formal Geertgen genre painting Gestel gesture Gogh Goyen Haarlem Hals history painting Holland Honthorst Huijgens humanist influence instance invention Italian Jacob van Ruisdael Jan Steen landscape Lastman Lazarus Leiden light logical look Mannerism Mannerist master Mondrian moral narrative nature Nausicaa Netherlandish painting objects Odysseus Ouwater painter Peleus pictorial picture picture-plane Pieter portrait portraiture precise problem quack realism reality Rembrandt Ruisdael Saenredam Salomon van Ruysdael scene Scorel seems sense seventeenth century shows sixteenth century space spatial Steen Stijl still-life story strong structure style stylistic subtly symbolic Tachism Terbrugghen tonal tradition tree Troost typical Velde Vermeer visual