Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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The history of Mannerism in the Netherlands combines powerful Italian influences with equally strong native traditions . The last phase of Early Netherlandish painting , in the first two or three decades of the sixteenth century ...
The history of Mannerism in the Netherlands combines powerful Italian influences with equally strong native traditions . The last phase of Early Netherlandish painting , in the first two or three decades of the sixteenth century ...
˹éÒ 29
The same may be true of so - called Late Gothic Mannerism in the north - only there it worked out slightly differently . ... The drama is not enacted , though , by wildly moving figures as it would be in an Italian Mannerist painting ...
The same may be true of so - called Late Gothic Mannerism in the north - only there it worked out slightly differently . ... The drama is not enacted , though , by wildly moving figures as it would be in an Italian Mannerist painting ...
˹éÒ 208
No doubt the works of the major Italian theorists of Mannerism were discussed there . See also A. Blunt , Artistic Theory in Italy 1450–1600 , Oxford 1940 ; and , 1 The fifteenth and sixteenth centuries for systematic account of ...
No doubt the works of the major Italian theorists of Mannerism were discussed there . See also A. Blunt , Artistic Theory in Italy 1450–1600 , Oxford 1940 ; and , 1 The fifteenth and sixteenth centuries for systematic account of ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |