Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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160 MONDRIAN Summer's Night 1907 160 praxis already in existence , however vague , however tentative . Its slow growth can best be followed in the art of the painter who was by far the best and most convincing representative of De Stijl ...
160 MONDRIAN Summer's Night 1907 160 praxis already in existence , however vague , however tentative . Its slow growth can best be followed in the art of the painter who was by far the best and most convincing representative of De Stijl ...
˹éÒ 185
169 MONDRIAN Victory BoogieWoogie 1943 171 These “ contra - compositions ' , if they are compared with Mondrian's extremely balanced pieces ( like the Composition of 1921 or like the rarified Composition of black lines of differing ...
169 MONDRIAN Victory BoogieWoogie 1943 171 These “ contra - compositions ' , if they are compared with Mondrian's extremely balanced pieces ( like the Composition of 1921 or like the rarified Composition of black lines of differing ...
˹éÒ 199
a Other artists , somewhat younger , sought a way out of the deadlock by going back to Mondrian's claim that art should not be based on private intuition , but that art - making required continuous and strict analysis of one's ...
a Other artists , somewhat younger , sought a way out of the deadlock by going back to Mondrian's claim that art should not be based on private intuition , but that art - making required continuous and strict analysis of one's ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |