Dutch PaintingOxford University Press, 1978 - 216 ˹éÒ Dutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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˹éÒ 72
... Rembrandt was undoubtedly the best history painter in Holland - while his work then did not show so clearly the idiosyncrasies for which he would later be criticized by ... REMBRANDT The Wedding Banquet of Samson 1638 48 REMBRANDT. 72.
... Rembrandt was undoubtedly the best history painter in Holland - while his work then did not show so clearly the idiosyncrasies for which he would later be criticized by ... REMBRANDT The Wedding Banquet of Samson 1638 48 REMBRANDT. 72.
˹éÒ 74
... Rembrandt was already second choice . At first Govert Flinck ( 1615-60 ) , a one - time pupil of Rembrandt , was asked to provide sketches for a series of paintings illustrating important phases in the Batavian Revolt in AD 69 against ...
... Rembrandt was already second choice . At first Govert Flinck ( 1615-60 ) , a one - time pupil of Rembrandt , was asked to provide sketches for a series of paintings illustrating important phases in the Batavian Revolt in AD 69 against ...
˹éÒ 209
... Rembrandt en zijn Tijd , exh . cat . , Palais des Beaux - Arts , Brussels 1971 ; also the exhibition catalogue Tot Lering en Vermaak , Rijksmuseum , Amsterdam 1976. Other studies of general interest are Sturla Gudlaugsson ...
... Rembrandt en zijn Tijd , exh . cat . , Palais des Beaux - Arts , Brussels 1971 ; also the exhibition catalogue Tot Lering en Vermaak , Rijksmuseum , Amsterdam 1976. Other studies of general interest are Sturla Gudlaugsson ...
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abstract actual aesthetic Amsterdam architectural artist background Banquet basic became Caravaggio Christ church classical Claudius Civilis colour composition conception contemporary Cornelis Cornelisz Cornelis Troost course direct Doesburg Early Netherlandish Early Netherlandish painting elegant elements emotional Esaias Esaias's example expression Eyck figures foreground formal Geertgen genre painting Gestel gesture Gogh Goyen Haarlem Hals history painting Holland Honthorst Huijgens humanist influence instance invention Italian Jacob van Ruisdael Jan Steen landscape Lastman Lazarus Leiden light logical look Mannerism Mannerist master Mondrian moral narrative nature Nausicaa Netherlandish painting objects Odysseus Ouwater painter Peleus pictorial picture picture-plane Pieter portrait portraiture precise problem quack realism reality Rembrandt Ruisdael Saenredam Salomon van Ruysdael scene Scorel seems sense seventeenth century shows sixteenth century space spatial Steen Stijl still-life story strong structure style stylistic subtly symbolic Tachism Terbrugghen tonal tradition tree Troost typical Velde Vermeer visual