Dutch PaintingOxford University Press, 1978 - 216 หน้า Dutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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หน้า 54
... Terbrugghen ( 1588- 1629 ) and Gerard van Honthorst ( 1590–1656 ) , had a very different background from their colleagues in Haarlem and Leiden . Unlike them , Terbrugghen and Honthorst spent many years in Rome ; and though they would ...
... Terbrugghen ( 1588- 1629 ) and Gerard van Honthorst ( 1590–1656 ) , had a very different background from their colleagues in Haarlem and Leiden . Unlike them , Terbrugghen and Honthorst spent many years in Rome ; and though they would ...
หน้า 66
... Terbrugghen and Honthorst revolutionaries ; but by the time they were in Italy ( Terbrugghen , c . 1604-14 ; Honthorst , c . 1610-20 ) the implications of Caravaggio's art had been much more widely accepted by artists of different ...
... Terbrugghen and Honthorst revolutionaries ; but by the time they were in Italy ( Terbrugghen , c . 1604-14 ; Honthorst , c . 1610-20 ) the implications of Caravaggio's art had been much more widely accepted by artists of different ...
หน้า 67
... Terbrugghen at the same time remained within his native Dutch tradition . The narrative structure of The Calling of St Matthew is not dissimilar to that employed in Lastman's Odysseus and 41 Nausicaa . Here too , sudden intervention is ...
... Terbrugghen at the same time remained within his native Dutch tradition . The narrative structure of The Calling of St Matthew is not dissimilar to that employed in Lastman's Odysseus and 41 Nausicaa . Here too , sudden intervention is ...
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abstract actual aesthetic Amsterdam architectural artist background Banquet basic became Caravaggio Christ church classical Claudius Civilis colour composition conception contemporary Cornelis Cornelisz Cornelis Troost course direct Doesburg Early Netherlandish Early Netherlandish painting elegant elements emotional Esaias Esaias's example expression Eyck figures foreground formal Geertgen genre painting Gestel gesture Gogh Goyen Haarlem Hals history painting Holland Honthorst Huijgens humanist influence instance invention Italian Jacob van Ruisdael Jan Steen landscape Lastman Lazarus Leiden light logical look Mannerism Mannerist master Mondrian moral narrative nature Nausicaa Netherlandish painting objects Odysseus Ouwater painter Peleus pictorial picture picture-plane Pieter portrait portraiture precise problem quack realism reality Rembrandt Ruisdael Saenredam Salomon van Ruysdael scene Scorel seems sense seventeenth century shows sixteenth century space spatial Steen Stijl still-life story strong structure style stylistic subtly symbolic Tachism Terbrugghen tonal tradition tree Troost typical Velde Vermeer visual