Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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There is a convincing indication of actual space . The main scene is laid out in the choir of the church ; behind that is a clearly lit ambulatory . Through a barred window in the choir - screen an audience watches .
There is a convincing indication of actual space . The main scene is laid out in the choir of the church ; behind that is a clearly lit ambulatory . Through a barred window in the choir - screen an audience watches .
˹éÒ 47
This stiffness may be the result of a very conscious antiMannerist stance - the result , too , desire to avoid avoid any misunderstanding as to the actual meaning . The presentation of the different motives which together constitute the ...
This stiffness may be the result of a very conscious antiMannerist stance - the result , too , desire to avoid avoid any misunderstanding as to the actual meaning . The presentation of the different motives which together constitute the ...
˹éÒ 148
In a culture which had an empirical and materialistic relation to reality , taking the world in its actual appearance and no longer as one grand metaphor for God's perfect creation , there was little use for the double meanings of ...
In a culture which had an empirical and materialistic relation to reality , taking the world in its actual appearance and no longer as one grand metaphor for God's perfect creation , there was little use for the double meanings of ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |