Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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This aesthetic element had survived from the humanist tradition of emblematic literature , in which difficulty was considered a quality because , as some writers noted , the decoding was then a real exercise of the mind , while at the ...
This aesthetic element had survived from the humanist tradition of emblematic literature , in which difficulty was considered a quality because , as some writers noted , the decoding was then a real exercise of the mind , while at the ...
˹éÒ 167
ISI , 152 than an individual , aesthetic interest in those ` typically Dutch ' silvery grey , liquid skies – and what is the function of a picture like Polder Landscape by Gabriel ? This picture reads almost like a symbol of ...
ISI , 152 than an individual , aesthetic interest in those ` typically Dutch ' silvery grey , liquid skies – and what is the function of a picture like Polder Landscape by Gabriel ? This picture reads almost like a symbol of ...
˹éÒ 204
One is a reproduction of a Morandi stilllife : a highly aesthetic arrangement of small bottles in soft pastel colours on a table - top ; the other photograph has been set up by Van Elk and contains everything that Morandi has removed ...
One is a reproduction of a Morandi stilllife : a highly aesthetic arrangement of small bottles in soft pastel colours on a table - top ; the other photograph has been set up by Van Elk and contains everything that Morandi has removed ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |