Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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It does not present , as does Van Delen's picture , imaginary architectural constructions , nor does it have anything to do with contemporary architectural aesthetics , since almost all the buildings portrayed by Saenredam are late ...
It does not present , as does Van Delen's picture , imaginary architectural constructions , nor does it have anything to do with contemporary architectural aesthetics , since almost all the buildings portrayed by Saenredam are late ...
˹éÒ 127
The next generation of architectural painters , led by Emanuel de Witte ( c . ... The humanist connoisseur must have found the painting ( which did not even show modern , classicist architecture but the interior of an old Romanesque ...
The next generation of architectural painters , led by Emanuel de Witte ( c . ... The humanist connoisseur must have found the painting ( which did not even show modern , classicist architecture but the interior of an old Romanesque ...
˹éÒ 179
During the next year , 1913 , Mondrian more consciously than before adapted his subject to his stylistic concerns , working on a group of paintings which have for their actual visual source the elaborate architectural façades of Gothic ...
During the next year , 1913 , Mondrian more consciously than before adapted his subject to his stylistic concerns , working on a group of paintings which have for their actual visual source the elaborate architectural façades of Gothic ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |