Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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When Goltzius ' friend Cornelis Cornelisz . painted his strangely beautiful Bathsheba in 1994 , he was still very much a Mannerist . His concern is less with a succinct presentation of the story than with the design of three mysterious ...
When Goltzius ' friend Cornelis Cornelisz . painted his strangely beautiful Bathsheba in 1994 , he was still very much a Mannerist . His concern is less with a succinct presentation of the story than with the design of three mysterious ...
˹éÒ 46
And another proverb , saying that beautiful women and sweet wine are full of dangers , may also apply here . So what at first seems a harmless , attractive scene , is suddenly reversed when the viewer encounters an explicit symbol ...
And another proverb , saying that beautiful women and sweet wine are full of dangers , may also apply here . So what at first seems a harmless , attractive scene , is suddenly reversed when the viewer encounters an explicit symbol ...
˹éÒ 208
One is seventeenth - century theory , R. W. Lee , Ut Pictura Poesis : The Humanistic Theory of Painting , New York M.J. Friedländer , Die Altniederländische Malerei , 14 1967 , an indispensable and beautiful little book . vols , Berlin ...
One is seventeenth - century theory , R. W. Lee , Ut Pictura Poesis : The Humanistic Theory of Painting , New York M.J. Friedländer , Die Altniederländische Malerei , 14 1967 , an indispensable and beautiful little book . vols , Berlin ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |