Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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As oysters were a conventional aphrodisiac , they became a common sexual symbol – and their abundance gives this picture an unambiguous erotic meaning . But then , almost exactly where in the middle the curtain is drawn up highest ...
As oysters were a conventional aphrodisiac , they became a common sexual symbol – and their abundance gives this picture an unambiguous erotic meaning . But then , almost exactly where in the middle the curtain is drawn up highest ...
˹éÒ 150
Within the context of this sobriety , that marvellous sense of rhetoric , that fascinating eloquence which are characteristic of seventeenthcentury art , became meaningless . Painting's task now was to show reality as it really was .
Within the context of this sobriety , that marvellous sense of rhetoric , that fascinating eloquence which are characteristic of seventeenthcentury art , became meaningless . Painting's task now was to show reality as it really was .
˹éÒ 170
He discovered the brilliance and richness of the Impressionist palette , and in his conversations with Gauguin he became convinced of the expressive powers of pure colour . But still his interest in the Parisian innovations was not ...
He discovered the brilliance and richness of the Impressionist palette , and in his conversations with Gauguin he became convinced of the expressive powers of pure colour . But still his interest in the Parisian innovations was not ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |