Dutch PaintingOxford University Press, 1978 - 216 หน้า Dutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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ผลการค้นหา 1 - 3 จาก 35
หน้า 68
... became the master of artificial light and of mysteriously illuminated night scenes which , in Italy where he enjoyed high patronage , earned him the nickname ' Gherardo delle Notti ' . The use of deep and strongly contrasted shadows had ...
... became the master of artificial light and of mysteriously illuminated night scenes which , in Italy where he enjoyed high patronage , earned him the nickname ' Gherardo delle Notti ' . The use of deep and strongly contrasted shadows had ...
หน้า 150
... became meaningless . Painting's task now was to show reality as it really was . That an empirical attitude towards reality ( and a documentary attitude in painting ) impedes the imagination , even if one actually wants to realize a ...
... became meaningless . Painting's task now was to show reality as it really was . That an empirical attitude towards reality ( and a documentary attitude in painting ) impedes the imagination , even if one actually wants to realize a ...
หน้า 170
... became convinced of the expressive powers of pure colour . But still his interest in the Parisian innovations was not aesthetic , still his hope was to create those radiant and hopeful images that would provide consolation to others in ...
... became convinced of the expressive powers of pure colour . But still his interest in the Parisian innovations was not aesthetic , still his hope was to create those radiant and hopeful images that would provide consolation to others in ...
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abstract actual aesthetic Amsterdam architectural artist background Banquet basic became Caravaggio Christ church classical Claudius Civilis colour composition conception contemporary Cornelis Cornelisz Cornelis Troost course direct Doesburg Early Netherlandish Early Netherlandish painting elegant elements emotional Esaias Esaias's example expression Eyck figures foreground formal Geertgen genre painting Gestel gesture Gogh Goyen Haarlem Hals history painting Holland Honthorst Huijgens humanist influence instance invention Italian Jacob van Ruisdael Jan Steen landscape Lastman Lazarus Leiden light logical look Mannerism Mannerist master Mondrian moral narrative nature Nausicaa Netherlandish painting objects Odysseus Ouwater painter Peleus pictorial picture picture-plane Pieter portrait portraiture precise problem quack realism reality Rembrandt Ruisdael Saenredam Salomon van Ruysdael scene Scorel seems sense seventeenth century shows sixteenth century space spatial Steen Stijl still-life story strong structure style stylistic subtly symbolic Tachism Terbrugghen tonal tradition tree Troost typical Velde Vermeer visual