Dutch PaintingOxford University Press, 1978 - 216 ˹éÒ Dutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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˹éÒ 76
... become canonical . Flinck , too , had in his design drawn heavily on those popular prints . Rembrandt did not , however , because he thought that the Vaenius interpretation of the text was wrong ; and he could not perpetuate the error ...
... become canonical . Flinck , too , had in his design drawn heavily on those popular prints . Rembrandt did not , however , because he thought that the Vaenius interpretation of the text was wrong ; and he could not perpetuate the error ...
˹éÒ 109
... become conventional ; it occurs in other paintings as well as in prints and , as a metaphor , in literature . In some cases an accompanying text makes its meaning quite clear . So I can only assume that this picture by Porcellis might ...
... become conventional ; it occurs in other paintings as well as in prints and , as a metaphor , in literature . In some cases an accompanying text makes its meaning quite clear . So I can only assume that this picture by Porcellis might ...
˹éÒ 169
... become a painter - and in a sense his doing so was also prompted by the failure in his early work as a missionary . He was the son of a Protestant preacher , and was raised strongly within the Christian ethic . He was also a very ...
... become a painter - and in a sense his doing so was also prompted by the failure in his early work as a missionary . He was the son of a Protestant preacher , and was raised strongly within the Christian ethic . He was also a very ...
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abstract actual aesthetic Amsterdam architectural artist background Banquet basic became Caravaggio Christ church classical Claudius Civilis colour composition conception contemporary Cornelis Cornelisz Cornelis Troost course direct Doesburg Early Netherlandish Early Netherlandish painting elegant elements emotional Esaias Esaias's example expression Eyck figures foreground formal Geertgen genre painting Gestel gesture Gogh Goyen Haarlem Hals history painting Holland Honthorst Huijgens humanist influence instance invention Italian Jacob van Ruisdael Jan Steen landscape Lastman Lazarus Leiden light logical look Mannerism Mannerist master Mondrian moral narrative nature Nausicaa Netherlandish painting objects Odysseus Ouwater painter Peleus pictorial picture picture-plane Pieter portrait portraiture precise problem quack realism reality Rembrandt Ruisdael Saenredam Salomon van Ruysdael scene Scorel seems sense seventeenth century shows sixteenth century space spatial Steen Stijl still-life story strong structure style stylistic subtly symbolic Tachism Terbrugghen tonal tradition tree Troost typical Velde Vermeer visual