Dutch PaintingOxford University Press, 1978 - 216 หน้า Dutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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ผลการค้นหา 1 - 3 จาก 19
หน้า 28
... called Late Gothic Mannerism . However , stylishness is only one aspect , and only a minor one , of Mannerism in Italy and elsewhere . Above , I suggested that Mannerism , by destroying medieval staticness , arrived at a much more ...
... called Late Gothic Mannerism . However , stylishness is only one aspect , and only a minor one , of Mannerism in Italy and elsewhere . Above , I suggested that Mannerism , by destroying medieval staticness , arrived at a much more ...
หน้า 42
... called the pictures after what they saw represented : a merry company , a brothel , a peasant dance , or whatever – and invariably classified them as second - rate art . Even though an artist could excel as a painter of ' drolleries ...
... called the pictures after what they saw represented : a merry company , a brothel , a peasant dance , or whatever – and invariably classified them as second - rate art . Even though an artist could excel as a painter of ' drolleries ...
หน้า 83
... called the classic type of the formal portrait was established around the middle of the sixteenth century , by artists who were in contact with advanced Italian painting . Until then , Early Netherlandish portraiture had been based ...
... called the classic type of the formal portrait was established around the middle of the sixteenth century , by artists who were in contact with advanced Italian painting . Until then , Early Netherlandish portraiture had been based ...
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abstract actual aesthetic Amsterdam architectural artist background Banquet basic became Caravaggio Christ church classical Claudius Civilis colour composition conception contemporary Cornelis Cornelisz Cornelis Troost course direct Doesburg Early Netherlandish Early Netherlandish painting elegant elements emotional Esaias Esaias's example expression Eyck figures foreground formal Geertgen genre painting Gestel gesture Gogh Goyen Haarlem Hals history painting Holland Honthorst Huijgens humanist influence instance invention Italian Jacob van Ruisdael Jan Steen landscape Lastman Lazarus Leiden light logical look Mannerism Mannerist master Mondrian moral narrative nature Nausicaa Netherlandish painting objects Odysseus Ouwater painter Peleus pictorial picture picture-plane Pieter portrait portraiture precise problem quack realism reality Rembrandt Ruisdael Saenredam Salomon van Ruysdael scene Scorel seems sense seventeenth century shows sixteenth century space spatial Steen Stijl still-life story strong structure style stylistic subtly symbolic Tachism Terbrugghen tonal tradition tree Troost typical Velde Vermeer visual