Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
¨Ò¡´éÒ¹ã¹Ë¹Ñ§Ê×Í
¼Å¡Òäé¹ËÒ 1 - 3 ¨Ò¡ 14
˹éÒ 12
He interpreted the story , in this respect , within the framework of the burial habits of his own time , when people were buried in the church floor . He knew that the incident had taken place a long time ago , so for the church he just ...
He interpreted the story , in this respect , within the framework of the burial habits of his own time , when people were buried in the church floor . He knew that the incident had taken place a long time ago , so for the church he just ...
˹éÒ 15
The architectural design , too , is more complex and daring ; the nave of the church is not , as in Ouwater's picture , placed at right angles to the pictureplane . Instead , the placing is slightly oblique ; on the left , through the ...
The architectural design , too , is more complex and daring ; the nave of the church is not , as in Ouwater's picture , placed at right angles to the pictureplane . Instead , the placing is slightly oblique ; on the left , through the ...
˹éÒ 127
The humanist connoisseur must have found the painting ( which did not even show modern , classicist architecture but the interior of an old Romanesque church ) important - and not just for its sheer beauty , for that was not quite his ...
The humanist connoisseur must have found the painting ( which did not even show modern , classicist architecture but the interior of an old Romanesque church ) important - and not just for its sheer beauty , for that was not quite his ...
¤ÇÒÁ¤Ô´àË繨ҡ¼ÙéÍ×è¹ - à¢Õ¹º·ÇÔ¨Òóì
àÃÒäÁ辺º·ÇÔ¨Òóìã´æ ã¹áËÅ觢éÍÁÙÅ·ÑèÇä»
©ºÑºÍ×è¹æ - ´Ù·Ñé§ËÁ´
¤ÓáÅÐÇÅÕ·Õ辺ºèÍÂ
actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
ºÃóҹءÃÁ
| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |