Dutch PaintingOxford University Press, 1978 - 216 ˹éÒ Dutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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˹éÒ 69
... clear decision ; it meant , too , that Rembrandt had no desire to associate himself with the modern movement of realism . The earliest pictures we know of his ( the first is dated 1625 ) are all histories ; landscapes , for instance ...
... clear decision ; it meant , too , that Rembrandt had no desire to associate himself with the modern movement of realism . The earliest pictures we know of his ( the first is dated 1625 ) are all histories ; landscapes , for instance ...
˹éÒ 109
... clear . So I can only assume that this picture by Porcellis might have a similar meaning – partly because it is hard to accept a seventeenth- century painting without a particular moral content . Yet there are pictures , like for ...
... clear . So I can only assume that this picture by Porcellis might have a similar meaning – partly because it is hard to accept a seventeenth- century painting without a particular moral content . Yet there are pictures , like for ...
˹éÒ 179
... clearly marked centre . In Apple Tree the visual source still left clear traces in the picture's structure : the central trunk is clearly visible , and from there the curving lines branch out , to be cut off at the edge of the picture ...
... clearly marked centre . In Apple Tree the visual source still left clear traces in the picture's structure : the central trunk is clearly visible , and from there the curving lines branch out , to be cut off at the edge of the picture ...
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abstract actual aesthetic Amsterdam architectural artist background Banquet basic became Caravaggio Christ church classical Claudius Civilis colour composition conception contemporary Cornelis Cornelisz Cornelis Troost course direct Doesburg Early Netherlandish Early Netherlandish painting elegant elements emotional Esaias Esaias's example expression Eyck figures foreground formal Geertgen genre painting Gestel gesture Gogh Goyen Haarlem Hals history painting Holland Honthorst Huijgens humanist influence instance invention Italian Jacob van Ruisdael Jan Steen landscape Lastman Lazarus Leiden light logical look Mannerism Mannerist master Mondrian moral narrative nature Nausicaa Netherlandish painting objects Odysseus Ouwater painter Peleus pictorial picture picture-plane Pieter portrait portraiture precise problem quack realism reality Rembrandt Ruisdael Saenredam Salomon van Ruysdael scene Scorel seems sense seventeenth century shows sixteenth century space spatial Steen Stijl still-life story strong structure style stylistic subtly symbolic Tachism Terbrugghen tonal tradition tree Troost typical Velde Vermeer visual