Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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A seventeenth - century Dutchman would look at Nature in a moralistic way , within a framework of moral values : contemporary poetry shows this quite clearly . He would look at a realistic picture in much the same way , the picture ...
A seventeenth - century Dutchman would look at Nature in a moralistic way , within a framework of moral values : contemporary poetry shows this quite clearly . He would look at a realistic picture in much the same way , the picture ...
˹éÒ 95
Clearly Ketel , who was of Mannerist descent , was more advanced in compositional technique than Anthonisz . His problem was his unwillingness to sacrifice the individual distinctiveness of each single portrait to a conception of the ...
Clearly Ketel , who was of Mannerist descent , was more advanced in compositional technique than Anthonisz . His problem was his unwillingness to sacrifice the individual distinctiveness of each single portrait to a conception of the ...
˹éÒ 179
Another remarkable aspect of Composition is that it has no clearly marked centre . In Apple Tree the visual source still left clear traces in the picture's structure : the central trunk is clearly visible , and from there the curving ...
Another remarkable aspect of Composition is that it has no clearly marked centre . In Apple Tree the visual source still left clear traces in the picture's structure : the central trunk is clearly visible , and from there the curving ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |