Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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˹éÒ 43
Esaias van de Velde , Jacob van Ruisdael , Frans Hals , Jan Vermeer , Jan Steen , Rembrandt - they stayed in Holland , close to their own culture . They painted basically for a local public . There is little contemporary information as ...
Esaias van de Velde , Jacob van Ruisdael , Frans Hals , Jan Vermeer , Jan Steen , Rembrandt - they stayed in Holland , close to their own culture . They painted basically for a local public . There is little contemporary information as ...
˹éÒ 109
They are hurrying along close to a rocky coast . This coast actually introduces an clement of imminent doom into the picture , and one wonders whether this image of small ships on a storm - tossed sea is not another disguised symbol of ...
They are hurrying along close to a rocky coast . This coast actually introduces an clement of imminent doom into the picture , and one wonders whether this image of small ships on a storm - tossed sea is not another disguised symbol of ...
˹éÒ 193
Close to them was a group of young , experimental poets of whom one , Lucebert ( b . 1924 ) started to paint in the middle 1950s – in a curiously witty style based on the manner of COBRA . Together they hoped for a new , vivid kind of ...
Close to them was a group of young , experimental poets of whom one , Lucebert ( b . 1924 ) started to paint in the middle 1950s – in a curiously witty style based on the manner of COBRA . Together they hoped for a new , vivid kind of ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |