Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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Esaias's The Ferry is drawn- and the same is true of the work of Avercamp with all the minute detail that was the marvel of early realism , and the colour was added later , so to speak . Ten years after The Ferry , in 1632 , Salomon van ...
Esaias's The Ferry is drawn- and the same is true of the work of Avercamp with all the minute detail that was the marvel of early realism , and the colour was added later , so to speak . Ten years after The Ferry , in 1632 , Salomon van ...
˹éÒ 161
In classical painting , up until Romanticism , colour had been subservient to meaning . Naturally objects had a certain colour , but that colour could be and was manipulated by the artist at will . The most conspicuous example ...
In classical painting , up until Romanticism , colour had been subservient to meaning . Naturally objects had a certain colour , but that colour could be and was manipulated by the artist at will . The most conspicuous example ...
˹éÒ 163
1889 145 JONGKIND Street in Nevers 1874 considered to be the most naturalistic achievement of Dutch painting , the landscape , the use of colour and the way light was allowed to touch colour were extremely formal .
1889 145 JONGKIND Street in Nevers 1874 considered to be the most naturalistic achievement of Dutch painting , the landscape , the use of colour and the way light was allowed to touch colour were extremely formal .
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |