Dutch PaintingOxford University Press, 1978 - 216 ˹éÒ Dutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
¨Ò¡´éÒ¹ã¹Ë¹Ñ§Ê×Í
¼Å¡Òäé¹ËÒ 1 - 3 ¨Ò¡ 38
˹éÒ 114
... colour matches the lighter brown of the piece of bread in which , too , there is some grey . Steenwijck was also able to adopt a tonal scale , departing from the ashen colour of the skull ; the other objects mostly vary between sallow ...
... colour matches the lighter brown of the piece of bread in which , too , there is some grey . Steenwijck was also able to adopt a tonal scale , departing from the ashen colour of the skull ; the other objects mostly vary between sallow ...
˹éÒ 161
... colour and light . In classical painting , up until Romanticism , colour had been subservient to meaning . Naturally objects had a certain colour , but that colour could be and was manipulated by the artist at will . The most ...
... colour and light . In classical painting , up until Romanticism , colour had been subservient to meaning . Naturally objects had a certain colour , but that colour could be and was manipulated by the artist at will . The most ...
˹éÒ 163
... colour and the way light was allowed to touch colour were extremely formal . For example , a study of how the sky was painted in the seventeenth century reveals that only a few types were employed . The most common were : an evenly grey ...
... colour and the way light was allowed to touch colour were extremely formal . For example , a study of how the sky was painted in the seventeenth century reveals that only a few types were employed . The most common were : an evenly grey ...
©ºÑºÍ×è¹æ - ´Ù·Ñé§ËÁ´
¤ÓáÅÐÇÅÕ·Õ辺ºèÍÂ
abstract actual aesthetic Amsterdam architectural artist background Banquet basic became Caravaggio Christ church classical Claudius Civilis colour composition conception contemporary Cornelis Cornelisz Cornelis Troost course direct Doesburg Early Netherlandish Early Netherlandish painting elegant elements emotional Esaias Esaias's example expression Eyck figures foreground formal Geertgen genre painting Gestel gesture Gogh Goyen Haarlem Hals history painting Holland Honthorst Huijgens humanist influence instance invention Italian Jacob van Ruisdael Jan Steen landscape Lastman Lazarus Leiden light logical look Mannerism Mannerist master Mondrian moral narrative nature Nausicaa Netherlandish painting objects Odysseus Ouwater painter Peleus pictorial picture picture-plane Pieter portrait portraiture precise problem quack realism reality Rembrandt Ruisdael Saenredam Salomon van Ruysdael scene Scorel seems sense seventeenth century shows sixteenth century space spatial Steen Stijl still-life story strong structure style stylistic subtly symbolic Tachism Terbrugghen tonal tradition tree Troost typical Velde Vermeer visual