Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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... I suggested that Mannerism , by destroying medieval staticness , arrived at a much more flexible type of composition ; and indeed , how extremely fluent is Bloemaert's picture compared to those by Ouwater , Geertgen or even Scorel .
... I suggested that Mannerism , by destroying medieval staticness , arrived at a much more flexible type of composition ; and indeed , how extremely fluent is Bloemaert's picture compared to those by Ouwater , Geertgen or even Scorel .
˹éÒ 106
Compared to Esaias's Dunes and Hunters , his landscape is more unified and , at the same time , more contrasted . The contrast is between two movements : one , marked by the dense trees , goes slowly upwards ; the second , along the ...
Compared to Esaias's Dunes and Hunters , his landscape is more unified and , at the same time , more contrasted . The contrast is between two movements : one , marked by the dense trees , goes slowly upwards ; the second , along the ...
˹éÒ 119
Compared to this picture ( incredible in its suggestive power considering how small it is ) , Salomon van Ruysdael's painting of 1632 , and similar pictures from that time by Van Goyen himself , still look like merely interesting ...
Compared to this picture ( incredible in its suggestive power considering how small it is ) , Salomon van Ruysdael's painting of 1632 , and similar pictures from that time by Van Goyen himself , still look like merely interesting ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |