Dutch PaintingOxford University Press, 1978 - 216 ˹éÒ Dutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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... composition . But The Skittle Players has the strong internal order ( the two halves of the picture balancing each other ) , which is typical of the classical seventeenth- century composition . It is from this formalism that Cornelis ...
... composition . But The Skittle Players has the strong internal order ( the two halves of the picture balancing each other ) , which is typical of the classical seventeenth- century composition . It is from this formalism that Cornelis ...
˹éÒ 179
... Composition ( 1913 ) , a rectilinear structure holds , like a grid , flatly painted rectangular shapes in neutral colours like brown and grey . Only a few curving lines refer to the original visual source . Another remarkable aspect of ...
... Composition ( 1913 ) , a rectilinear structure holds , like a grid , flatly painted rectangular shapes in neutral colours like brown and grey . Only a few curving lines refer to the original visual source . Another remarkable aspect of ...
˹éÒ 185
Rudi Fuchs. 169 MONDRIAN Victory Boogie- Woogie 1943 These ' contra - compositions ' , if they are compared with Mondrian's extremely balanced pieces ( like the Composition of 1921 or like the rarified Composition of black lines of ...
Rudi Fuchs. 169 MONDRIAN Victory Boogie- Woogie 1943 These ' contra - compositions ' , if they are compared with Mondrian's extremely balanced pieces ( like the Composition of 1921 or like the rarified Composition of black lines of ...
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abstract actual aesthetic Amsterdam architectural artist background Banquet basic became Caravaggio Christ church classical Claudius Civilis colour composition conception contemporary Cornelis Cornelisz Cornelis Troost course direct Doesburg Early Netherlandish Early Netherlandish painting elegant elements emotional Esaias Esaias's example expression Eyck figures foreground formal Geertgen genre painting Gestel gesture Gogh Goyen Haarlem Hals history painting Holland Honthorst Huijgens humanist influence instance invention Italian Jacob van Ruisdael Jan Steen landscape Lastman Lazarus Leiden light logical look Mannerism Mannerist master Mondrian moral narrative nature Nausicaa Netherlandish painting objects Odysseus Ouwater painter Peleus pictorial picture picture-plane Pieter portrait portraiture precise problem quack realism reality Rembrandt Ruisdael Saenredam Salomon van Ruysdael scene Scorel seems sense seventeenth century shows sixteenth century space spatial Steen Stijl still-life story strong structure style stylistic subtly symbolic Tachism Terbrugghen tonal tradition tree Troost typical Velde Vermeer visual