Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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But the early fifteenth century was dominated by a conception of painting which led to very serene , richly adorned paintings which did not narrate the story but which presented a biblical event in a summarized form .
But the early fifteenth century was dominated by a conception of painting which led to very serene , richly adorned paintings which did not narrate the story but which presented a biblical event in a summarized form .
˹éÒ 20
They are not developed within a conscious conception of narrative ; and a real understanding of the dynamics of human movement is still lacking . As long as Early Netherlandish painting was iconographically oriented towards devotional ...
They are not developed within a conscious conception of narrative ; and a real understanding of the dynamics of human movement is still lacking . As long as Early Netherlandish painting was iconographically oriented towards devotional ...
˹éÒ 65
All this is part of a new conception of narrative history painting , in which a clear narration , following the structure of a story , was more important than presenting yet another brilliant invention . For the new generation of ...
All this is part of a new conception of narrative history painting , in which a clear narration , following the structure of a story , was more important than presenting yet another brilliant invention . For the new generation of ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |