Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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The connotation of the skull is clear enough - and so , to a contemporary audience , was the boy . He is the illustration of a classic adage : homo bulla ' man is a bubble ' . The inclusion of this symbol of the insignificance of ...
The connotation of the skull is clear enough - and so , to a contemporary audience , was the boy . He is the illustration of a classic adage : homo bulla ' man is a bubble ' . The inclusion of this symbol of the insignificance of ...
˹éÒ 47
Among contemporary prints one finds representations of equally richly dressed couples , sitting at a dinner - table with Death behind them in the form a a a a of a skeleton ; the meaning is.
Among contemporary prints one finds representations of equally richly dressed couples , sitting at a dinner - table with Death behind them in the form a a a a of a skeleton ; the meaning is.
˹éÒ 144
He took on all that belongs to Art , ' wrote a contemporary , ' painting Histories , antique and modern Companies in which one sees many human occupations portrayed : inside as well as outside ; the backgrounds are beautiful landscapes ...
He took on all that belongs to Art , ' wrote a contemporary , ' painting Histories , antique and modern Companies in which one sees many human occupations portrayed : inside as well as outside ; the backgrounds are beautiful landscapes ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |