Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
¨Ò¡´éÒ¹ã¹Ë¹Ñ§Ê×Í
¼Å¡Òäé¹ËÒ 1 - 3 ¨Ò¡ 9
˹éÒ 63
Yet history paintings continued to be produced ; the transition from one set of cultural values to another is , of course , never complete and sudden . There seems to have been a public , too , though possibly a different one from ...
Yet history paintings continued to be produced ; the transition from one set of cultural values to another is , of course , never complete and sudden . There seems to have been a public , too , though possibly a different one from ...
˹éÒ 100
The tradition of group portraiture continued well into the eighteenth century – but the solemn formalism which for seventeenth - century art looked so ' natural ' became in the eighteenth century almost an impossibility .
The tradition of group portraiture continued well into the eighteenth century – but the solemn formalism which for seventeenth - century art looked so ' natural ' became in the eighteenth century almost an impossibility .
˹éÒ 202
KOJ os ESTUR190 WESTERIK The Fishwife 1951 classical Dekkers ) , tried to direct art towards what they saw as important social needs , others continued to paint in a more traditional sense . Edgar Fernhout ( 1912–74 ) started in the ...
KOJ os ESTUR190 WESTERIK The Fishwife 1951 classical Dekkers ) , tried to direct art towards what they saw as important social needs , others continued to paint in a more traditional sense . Edgar Fernhout ( 1912–74 ) started in the ...
¤ÇÒÁ¤Ô´àË繨ҡ¼ÙéÍ×è¹ - à¢Õ¹º·ÇÔ¨Òóì
àÃÒäÁ辺º·ÇÔ¨Òóìã´æ ã¹áËÅ觢éÍÁÙÅ·ÑèÇä»
©ºÑºÍ×è¹æ - ´Ù·Ñé§ËÁ´
¤ÓáÅÐÇÅÕ·Õ辺ºèÍÂ
actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
ºÃóҹءÃÁ
| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |