Dutch PaintingOxford University Press, 1978 - 216 ˹éÒ Dutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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˹éÒ 9
... course of events this painting is typical of its time . This is not a sign of primitivism : certain realistic details , such as the weeping woman on the left , make it clear that Rogier was a very sophisticated artist . But the early ...
... course of events this painting is typical of its time . This is not a sign of primitivism : certain realistic details , such as the weeping woman on the left , make it clear that Rogier was a very sophisticated artist . But the early ...
˹éÒ 40
... course related to the quack . People , when offered a choice between Good and Evil , often make the wrong choice ; this is expressed by the dead tree in front and the tree in bloom next to the quack . -- The realism of Dou's picture is ...
... course related to the quack . People , when offered a choice between Good and Evil , often make the wrong choice ; this is expressed by the dead tree in front and the tree in bloom next to the quack . -- The realism of Dou's picture is ...
˹éÒ 62
... course , and continued to paint , Cornelis Cornelisz . until 1638 and Bloemaert until 1651 ; but their work became more and more isolated from the new realist approach . So history painting , once the pinnacle of pictorial art ...
... course , and continued to paint , Cornelis Cornelisz . until 1638 and Bloemaert until 1651 ; but their work became more and more isolated from the new realist approach . So history painting , once the pinnacle of pictorial art ...
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abstract actual aesthetic Amsterdam architectural artist background Banquet basic became Caravaggio Christ church classical Claudius Civilis colour composition conception contemporary Cornelis Cornelisz Cornelis Troost course direct Doesburg Early Netherlandish Early Netherlandish painting elegant elements emotional Esaias Esaias's example expression Eyck figures foreground formal Geertgen genre painting Gestel gesture Gogh Goyen Haarlem Hals history painting Holland Honthorst Huijgens humanist influence instance invention Italian Jacob van Ruisdael Jan Steen landscape Lastman Lazarus Leiden light logical look Mannerism Mannerist master Mondrian moral narrative nature Nausicaa Netherlandish painting objects Odysseus Ouwater painter Peleus pictorial picture picture-plane Pieter portrait portraiture precise problem quack realism reality Rembrandt Ruisdael Saenredam Salomon van Ruysdael scene Scorel seems sense seventeenth century shows sixteenth century space spatial Steen Stijl still-life story strong structure style stylistic subtly symbolic Tachism Terbrugghen tonal tradition tree Troost typical Velde Vermeer visual