Dutch PaintingOxford University Press, 1978 - 216 ˹éÒ Dutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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˹éÒ 26
... direct model ) , and of Netherlandish and German painters from Jan van Eyck to Van Mander's contemporaries . The information for these northern biographies was collected by the author himself . Finally , the third part is concerned with ...
... direct model ) , and of Netherlandish and German painters from Jan van Eyck to Van Mander's contemporaries . The information for these northern biographies was collected by the author himself . Finally , the third part is concerned with ...
˹éÒ 40
... direct recording of an actual scene , as is confirmed by its compositional structure . The focal centre is of course the quack on his platform under an Oriental parasol . In direct opposition to this focal point , Dou placed a gnarled ...
... direct recording of an actual scene , as is confirmed by its compositional structure . The focal centre is of course the quack on his platform under an Oriental parasol . In direct opposition to this focal point , Dou placed a gnarled ...
˹éÒ 66
... direct observation of nature , and this turning away from the artificial formulae of Mannerist style , that Lastman followed Caravaggio . This type of composition , with many small figures in a small - sized picture , seems much more to ...
... direct observation of nature , and this turning away from the artificial formulae of Mannerist style , that Lastman followed Caravaggio . This type of composition , with many small figures in a small - sized picture , seems much more to ...
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abstract actual aesthetic Amsterdam architectural artist background Banquet basic became Caravaggio Christ church classical Claudius Civilis colour composition conception contemporary Cornelis Cornelisz Cornelis Troost course direct Doesburg Early Netherlandish Early Netherlandish painting elegant elements emotional Esaias Esaias's example expression Eyck figures foreground formal Geertgen genre painting Gestel gesture Gogh Goyen Haarlem Hals history painting Holland Honthorst Huijgens humanist influence instance invention Italian Jacob van Ruisdael Jan Steen landscape Lastman Lazarus Leiden light logical look Mannerism Mannerist master Mondrian moral narrative nature Nausicaa Netherlandish painting objects Odysseus Ouwater painter Peleus pictorial picture picture-plane Pieter portrait portraiture precise problem quack realism reality Rembrandt Ruisdael Saenredam Salomon van Ruysdael scene Scorel seems sense seventeenth century shows sixteenth century space spatial Steen Stijl still-life story strong structure style stylistic subtly symbolic Tachism Terbrugghen tonal tradition tree Troost typical Velde Vermeer visual