Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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CHAPTER ONE Invention and narrative style The fifteenth and sixteenth centuries I The majority of the Netherlandish paintings produced in the early fifteenth century were still devotional in character . They showed biblical figures or ...
CHAPTER ONE Invention and narrative style The fifteenth and sixteenth centuries I The majority of the Netherlandish paintings produced in the early fifteenth century were still devotional in character . They showed biblical figures or ...
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It is natural to think about decay when flowers are in full bloom , and this is , for instance , the primary meaning of early seventeenth - century flower - pieces like those by Ambrosius 85 Bosschaert . But natural symbolism seems to ...
It is natural to think about decay when flowers are in full bloom , and this is , for instance , the primary meaning of early seventeenth - century flower - pieces like those by Ambrosius 85 Bosschaert . But natural symbolism seems to ...
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In the early years of the century several large exhibitions , in Paris and Amsterdam and in Cologne and Berlin , made his work better known – at a time when subsequent developments , in Fauvist painting especially , had already toned ...
In the early years of the century several large exhibitions , in Paris and Amsterdam and in Cologne and Berlin , made his work better known – at a time when subsequent developments , in Fauvist painting especially , had already toned ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |