Dutch PaintingOxford University Press, 1978 - 216 หน้า Dutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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หน้า 94
... evident in the formal structure of the portraits . The banquet is present only in the form of the table , set squarely in the middle of the picture , visually almost totally separate from the portraits - and in a different perspective ...
... evident in the formal structure of the portraits . The banquet is present only in the form of the table , set squarely in the middle of the picture , visually almost totally separate from the portraits - and in a different perspective ...
หน้า 131
... evident that in paintings like Van Goyen's Windmill by a River the monochrome style had arrived at its limits ; one step further and the image would dissolve in a light , transparent harmony of different shades of grey . Such a Turner ...
... evident that in paintings like Van Goyen's Windmill by a River the monochrome style had arrived at its limits ; one step further and the image would dissolve in a light , transparent harmony of different shades of grey . Such a Turner ...
หน้า 177
... , brightly coloured landscapes . From their paintings , Landscape ( 1910 ) and Tree in Autumn ( 1910/11 ) , it is evident that Sluyters and 161 151 , 152 161 MONDRIAN The Red Tree 1908 162 - Gestel owe a lot to their Parisian visit. 177.
... , brightly coloured landscapes . From their paintings , Landscape ( 1910 ) and Tree in Autumn ( 1910/11 ) , it is evident that Sluyters and 161 151 , 152 161 MONDRIAN The Red Tree 1908 162 - Gestel owe a lot to their Parisian visit. 177.
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abstract actual aesthetic Amsterdam architectural artist background Banquet basic became Caravaggio Christ church classical Claudius Civilis colour composition conception contemporary Cornelis Cornelisz Cornelis Troost course direct Doesburg Early Netherlandish Early Netherlandish painting elegant elements emotional Esaias Esaias's example expression Eyck figures foreground formal Geertgen genre painting Gestel gesture Gogh Goyen Haarlem Hals history painting Holland Honthorst Huijgens humanist influence instance invention Italian Jacob van Ruisdael Jan Steen landscape Lastman Lazarus Leiden light logical look Mannerism Mannerist master Mondrian moral narrative nature Nausicaa Netherlandish painting objects Odysseus Ouwater painter Peleus pictorial picture picture-plane Pieter portrait portraiture precise problem quack realism reality Rembrandt Ruisdael Saenredam Salomon van Ruysdael scene Scorel seems sense seventeenth century shows sixteenth century space spatial Steen Stijl still-life story strong structure style stylistic subtly symbolic Tachism Terbrugghen tonal tradition tree Troost typical Velde Vermeer visual