Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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The momentous emotional significance of the scene is expressed mainly through Christ's own expression : his hands together in prayer , his eyes cast down in humble acceptance . The descent of the Holy Ghost , the other highly important ...
The momentous emotional significance of the scene is expressed mainly through Christ's own expression : his hands together in prayer , his eyes cast down in humble acceptance . The descent of the Holy Ghost , the other highly important ...
˹éÒ 177
... Mondrian looked for a structure and found one , which is especially apparent in the middle part of the picture : the horizon and the trees are treated , almost abstractly , as the expression of a horizontal / vertical structure .
... Mondrian looked for a structure and found one , which is especially apparent in the middle part of the picture : the horizon and the trees are treated , almost abstractly , as the expression of a horizontal / vertical structure .
˹éÒ 182
Artists like Mondrian and Van Doesburg were deeply aware of the fact that they were changing the classic conceptions of art , that they were formulating a new system of plastic expression , and that somehow , to make themselves better ...
Artists like Mondrian and Van Doesburg were deeply aware of the fact that they were changing the classic conceptions of art , that they were formulating a new system of plastic expression , and that somehow , to make themselves better ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |