Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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˹éÒ 153
After all , if Bosboom was expressing this feelings in his art , why should Rembrandt or Steen not have done so too ? Seventeenth - century paintings , however , were made in a different way ; instead of being constructed from private ...
After all , if Bosboom was expressing this feelings in his art , why should Rembrandt or Steen not have done so too ? Seventeenth - century paintings , however , were made in a different way ; instead of being constructed from private ...
˹éÒ 167
This very aloof aesthetic position , motivated by sheer individualism in perception and feeling , aloof from the world's ... in a decorative manner the various elements at the painter's disposal for the expression of his feelings .
This very aloof aesthetic position , motivated by sheer individualism in perception and feeling , aloof from the world's ... in a decorative manner the various elements at the painter's disposal for the expression of his feelings .
˹éÒ 174
... the famous antirealist words of the great Romantic painter Delacroix : ' in his soul man has innate feelings which actual objects will never satisfy , and to these feelings the imagination of the painter or poet can give life ' .
... the famous antirealist words of the great Romantic painter Delacroix : ' in his soul man has innate feelings which actual objects will never satisfy , and to these feelings the imagination of the painter or poet can give life ' .
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |