Dutch PaintingOxford University Press, 1978 - 216 หน้า Dutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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ผลการค้นหา 1 - 3 จาก 41
หน้า 12
... figures and in defining their proper role in the story . Still , considering the limited choice of possibilities at the time , the painting is quite successful . There are three groups placed around the subtly vivid , nude figure of ...
... figures and in defining their proper role in the story . Still , considering the limited choice of possibilities at the time , the painting is quite successful . There are three groups placed around the subtly vivid , nude figure of ...
หน้า 15
... figure size was facilitated , of course , by the presence of children in the scene , but also because Geertgen was able to design a deeper space and to have figures , properly diminished in size , in the background . The architectural ...
... figure size was facilitated , of course , by the presence of children in the scene , but also because Geertgen was able to design a deeper space and to have figures , properly diminished in size , in the background . The architectural ...
หน้า 98
... figures to be seated . At both ends of the table ( which in relation to the three foreground figures is too low ) , Hals constructed two groups , each with a seated figure in the centre . One figure , visible between the two seated figures ...
... figures to be seated . At both ends of the table ( which in relation to the three foreground figures is too low ) , Hals constructed two groups , each with a seated figure in the centre . One figure , visible between the two seated figures ...
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abstract actual aesthetic Amsterdam architectural artist background Banquet basic became Caravaggio Christ church classical Claudius Civilis colour composition conception contemporary Cornelis Cornelisz Cornelis Troost course direct Doesburg Early Netherlandish Early Netherlandish painting elegant elements emotional Esaias Esaias's example expression Eyck figures foreground formal Geertgen genre painting Gestel gesture Gogh Goyen Haarlem Hals history painting Holland Honthorst Huijgens humanist influence instance invention Italian Jacob van Ruisdael Jan Steen landscape Lastman Lazarus Leiden light logical look Mannerism Mannerist master Mondrian moral narrative nature Nausicaa Netherlandish painting objects Odysseus Ouwater painter Peleus pictorial picture picture-plane Pieter portrait portraiture precise problem quack realism reality Rembrandt Ruisdael Saenredam Salomon van Ruysdael scene Scorel seems sense seventeenth century shows sixteenth century space spatial Steen Stijl still-life story strong structure style stylistic subtly symbolic Tachism Terbrugghen tonal tradition tree Troost typical Velde Vermeer visual