Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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Still , it was only in this insistence upon direct observation of nature , and this turning away from the artificial formulae of Mannerist style , that Lastman followed Caravaggio . This type of composition , with many small figures in ...
Still , it was only in this insistence upon direct observation of nature , and this turning away from the artificial formulae of Mannerist style , that Lastman followed Caravaggio . This type of composition , with many small figures in ...
˹éÒ 74
Characteristically , too , he followed almost to the letter the written account of the event which is found in the Histories of the Roman author Tacitus . We are informed how Civilis , the mighty one - eyed chieftain , summoned the ...
Characteristically , too , he followed almost to the letter the written account of the event which is found in the Histories of the Roman author Tacitus . We are informed how Civilis , the mighty one - eyed chieftain , summoned the ...
˹éÒ 187
... design and the use of strong , heavy colour already implied in Van Gogh's paintings , made it clear that Van Gogh's pictorial idiosyncrasies , however personal in feeling and inspiration , could be followed as examples of style .
... design and the use of strong , heavy colour already implied in Van Gogh's paintings , made it clear that Van Gogh's pictorial idiosyncrasies , however personal in feeling and inspiration , could be followed as examples of style .
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |