Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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˹éÒ 42
This drawn - up curtain has much the same function as the dead tree in the foreground of The Quack , though as a device it is less precise : it calls the scene to the viewer's special attention : ' now look at this ' .
This drawn - up curtain has much the same function as the dead tree in the foreground of The Quack , though as a device it is less precise : it calls the scene to the viewer's special attention : ' now look at this ' .
˹éÒ 76
This as well as other aspects ( such as the mostly crude physiognomy of the participants ) gave Rembrandt's painting a brutal character incompatible with its sensitive function within a cycle exalting the fatherland's earliest history .
This as well as other aspects ( such as the mostly crude physiognomy of the participants ) gave Rembrandt's painting a brutal character incompatible with its sensitive function within a cycle exalting the fatherland's earliest history .
˹éÒ 148
By the beginning of the nineteenth century the function of painting had altered , which meant that the content , too , had changed completely . In a culture which had an empirical and materialistic relation to reality , taking the world ...
By the beginning of the nineteenth century the function of painting had altered , which meant that the content , too , had changed completely . In a culture which had an empirical and materialistic relation to reality , taking the world ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |