Dutch PaintingOxford University Press, 1978 - 216 ˹éÒ Dutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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˹éÒ 42
... gives this picture an unambiguous erotic meaning . But then , almost exactly where in the middle the curtain is ... give an intimation of how metaphorical seventeenth - century thought was . It seems that experience of reality was ...
... gives this picture an unambiguous erotic meaning . But then , almost exactly where in the middle the curtain is ... give an intimation of how metaphorical seventeenth - century thought was . It seems that experience of reality was ...
˹éÒ 77
... gives the picture its general quality . But there is another , much more important difference from Rembrandt's ... give lectures on the foundations and rules of art ; these lectures were collected in two. SO DE LAIRESSE The Banquet of ...
... gives the picture its general quality . But there is another , much more important difference from Rembrandt's ... give lectures on the foundations and rules of art ; these lectures were collected in two. SO DE LAIRESSE The Banquet of ...
˹éÒ 85
... gives a feeling of alertness which is accentuated by the sideways glance . ( Note , in retrospect , how in Lucas's ... give it a totally different quality from Moro's picture . For , in relation to Hals's gentleman , whose presence is ...
... gives a feeling of alertness which is accentuated by the sideways glance . ( Note , in retrospect , how in Lucas's ... give it a totally different quality from Moro's picture . For , in relation to Hals's gentleman , whose presence is ...
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abstract actual aesthetic Amsterdam architectural artist background Banquet basic became Caravaggio Christ church classical Claudius Civilis colour composition conception contemporary Cornelis Cornelisz Cornelis Troost course direct Doesburg Early Netherlandish Early Netherlandish painting elegant elements emotional Esaias Esaias's example expression Eyck figures foreground formal Geertgen genre painting Gestel gesture Gogh Goyen Haarlem Hals history painting Holland Honthorst Huijgens humanist influence instance invention Italian Jacob van Ruisdael Jan Steen landscape Lastman Lazarus Leiden light logical look Mannerism Mannerist master Mondrian moral narrative nature Nausicaa Netherlandish painting objects Odysseus Ouwater painter Peleus pictorial picture picture-plane Pieter portrait portraiture precise problem quack realism reality Rembrandt Ruisdael Saenredam Salomon van Ruysdael scene Scorel seems sense seventeenth century shows sixteenth century space spatial Steen Stijl still-life story strong structure style stylistic subtly symbolic Tachism Terbrugghen tonal tradition tree Troost typical Velde Vermeer visual