Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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CHAPTER THREE Classic histories History painting in the seventeenth century 27 II In the context of optimistic contemplation of one's own world which originated with the early realism discussed in the preceding chapter , there was but ...
CHAPTER THREE Classic histories History painting in the seventeenth century 27 II In the context of optimistic contemplation of one's own world which originated with the early realism discussed in the preceding chapter , there was but ...
˹éÒ 63
Also , artistically , genre pictures could fully replace history paintings , for in composition and design they posed the same set of problems : they were equally difficult . Yet history paintings continued to be produced ...
Also , artistically , genre pictures could fully replace history paintings , for in composition and design they posed the same set of problems : they were equally difficult . Yet history paintings continued to be produced ...
˹éÒ 65
All this is part of a new conception of narrative history painting , in which a clear narration , following the structure of a story , was more important than presenting yet another brilliant invention . For the new generation of ...
All this is part of a new conception of narrative history painting , in which a clear narration , following the structure of a story , was more important than presenting yet another brilliant invention . For the new generation of ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |