Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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1455 to a more or less Early Netherlandish artists like Ouwater came convincing form of narrative realism , but without the theoretical understanding of perspective or of human movement recommended and described in humanist theory ...
1455 to a more or less Early Netherlandish artists like Ouwater came convincing form of narrative realism , but without the theoretical understanding of perspective or of human movement recommended and described in humanist theory ...
˹éÒ 31
The most central element was , of course , the human figure . And as variety was the aesthetic concept underlying composition , so the concept of grace ( gratia ) functioned in relation to the design of the human figure – grace and ...
The most central element was , of course , the human figure . And as variety was the aesthetic concept underlying composition , so the concept of grace ( gratia ) functioned in relation to the design of the human figure – grace and ...
˹éÒ 127
For even where human beings occur in Saenredam's paintings , they are small and not at all eloquent ; they are just there to ... De Witte , was fundamentally different ; his interiors are always in use , they have a human atmosphere .
For even where human beings occur in Saenredam's paintings , they are small and not at all eloquent ; they are just there to ... De Witte , was fundamentally different ; his interiors are always in use , they have a human atmosphere .
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |