Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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These pictures , such as his exquisite Ship of Fools , show the formal bizarrerie of which Gothic artists of this period were capable ; in addition they testify to fights of imagination in interpreting their popular IS 16 lore - from ...
These pictures , such as his exquisite Ship of Fools , show the formal bizarrerie of which Gothic artists of this period were capable ; in addition they testify to fights of imagination in interpreting their popular IS 16 lore - from ...
˹éÒ 36
Also before the advent of Mannerism , landscape had already had to function in accordance with a narrative subject ; and since painting a narrative picture is an act of invention and imagination ( however much the imagination is the ...
Also before the advent of Mannerism , landscape had already had to function in accordance with a narrative subject ; and since painting a narrative picture is an act of invention and imagination ( however much the imagination is the ...
˹éÒ 76
The illustrations in the Vaenius - Tempesta book were then so widely circulated that they , unavoidably , moulded the visual imagination ; slowly , they had become canonical . Flinck , too , had in his design drawn heavily on those ...
The illustrations in the Vaenius - Tempesta book were then so widely circulated that they , unavoidably , moulded the visual imagination ; slowly , they had become canonical . Flinck , too , had in his design drawn heavily on those ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |