Dutch PaintingOxford University Press, 1978 - 216 ˹éÒ Dutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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˹éÒ 29
... the formal bizarrerie of which Gothic artists of this period were capable ; in addition they testify to flights of imagination in interpreting their popular 14 15 14 BOSCH The Mocking of Christ 16 - lore from which Bosch drew most of his.
... the formal bizarrerie of which Gothic artists of this period were capable ; in addition they testify to flights of imagination in interpreting their popular 14 15 14 BOSCH The Mocking of Christ 16 - lore from which Bosch drew most of his.
˹éÒ 36
... imagination ( however much the imagination is the result of the visual experience of the artist ) , the landscape , its character and its structure , came from imagination too . In The Ferry Esaias van de Velde could remain close to his ...
... imagination ( however much the imagination is the result of the visual experience of the artist ) , the landscape , its character and its structure , came from imagination too . In The Ferry Esaias van de Velde could remain close to his ...
˹éÒ 76
... imagination ; slowly , they had become canonical . Flinck , too , had in his design drawn heavily on those popular prints . Rembrandt did not , however , because he thought that the Vaenius interpretation of the text was wrong ; and he ...
... imagination ; slowly , they had become canonical . Flinck , too , had in his design drawn heavily on those popular prints . Rembrandt did not , however , because he thought that the Vaenius interpretation of the text was wrong ; and he ...
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abstract actual aesthetic Amsterdam architectural artist background Banquet basic became Caravaggio Christ church classical Claudius Civilis colour composition conception contemporary Cornelis Cornelisz Cornelis Troost course direct Doesburg Early Netherlandish Early Netherlandish painting elegant elements emotional Esaias Esaias's example expression Eyck figures foreground formal Geertgen genre painting Gestel gesture Gogh Goyen Haarlem Hals history painting Holland Honthorst Huijgens humanist influence instance invention Italian Jacob van Ruisdael Jan Steen landscape Lastman Lazarus Leiden light logical look Mannerism Mannerist master Mondrian moral narrative nature Nausicaa Netherlandish painting objects Odysseus Ouwater painter Peleus pictorial picture picture-plane Pieter portrait portraiture precise problem quack realism reality Rembrandt Ruisdael Saenredam Salomon van Ruysdael scene Scorel seems sense seventeenth century shows sixteenth century space spatial Steen Stijl still-life story strong structure style stylistic subtly symbolic Tachism Terbrugghen tonal tradition tree Troost typical Velde Vermeer visual