Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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Indeed there are many who feel that he has done it all too well , for he has made more of the great unified composition of his own devising than of the individual portraits that were commissioned . Nevertheless this piece of work ...
Indeed there are many who feel that he has done it all too well , for he has made more of the great unified composition of his own devising than of the individual portraits that were commissioned . Nevertheless this piece of work ...
˹éÒ 167
ISI , 152 than an individual , aesthetic interest in those ` typically Dutch ' silvery grey , liquid skies – and what is the function of a picture like Polder Landscape by Gabriel ? This picture reads almost like a symbol of ...
ISI , 152 than an individual , aesthetic interest in those ` typically Dutch ' silvery grey , liquid skies – and what is the function of a picture like Polder Landscape by Gabriel ? This picture reads almost like a symbol of ...
˹éÒ 175
If the individual is the measure of all things , then anything can be art if the artist presents it as such . And , moreover , such highly individual art could not be understood by the public , since it was not based on assumptions ...
If the individual is the measure of all things , then anything can be art if the artist presents it as such . And , moreover , such highly individual art could not be understood by the public , since it was not based on assumptions ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |