Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
¨Ò¡´éÒ¹ã¹Ë¹Ñ§Ê×Í
¼Å¡Òäé¹ËÒ 1 - 3 ¨Ò¡ 32
˹éÒ 46
31 painting usually illustrates the decisive moment of the historical narrative to which it refers - with the story of Lazarus , the exact moment when Lazarus is resurrected , and not , for instance , Christ on his way to Lazarus ...
31 painting usually illustrates the decisive moment of the historical narrative to which it refers - with the story of Lazarus , the exact moment when Lazarus is resurrected , and not , for instance , Christ on his way to Lazarus ...
˹éÒ 83
Lucas van Leyden , for instance , painted the Portrait of a Man Aged Thirty - eight shortly after 1520 , a hundred years after Van Eyck had created his highly influential portrait - type in Bruges , and still Lucas's portrait , with its ...
Lucas van Leyden , for instance , painted the Portrait of a Man Aged Thirty - eight shortly after 1520 , a hundred years after Van Eyck had created his highly influential portrait - type in Bruges , and still Lucas's portrait , with its ...
˹éÒ 205
1935 ) , who takes 194 an object at random , for instance a table , and then tries to fit this object into an abstract painting of extreme rarity . Art about art ; and as art can be defined as a particular form of perception of reality ...
1935 ) , who takes 194 an object at random , for instance a table , and then tries to fit this object into an abstract painting of extreme rarity . Art about art ; and as art can be defined as a particular form of perception of reality ...
¤ÇÒÁ¤Ô´àË繨ҡ¼ÙéÍ×è¹ - à¢Õ¹º·ÇÔ¨Òóì
àÃÒäÁ辺º·ÇÔ¨Òóìã´æ ã¹áËÅ觢éÍÁÙÅ·ÑèÇä»
©ºÑºÍ×è¹æ - ´Ù·Ñé§ËÁ´
¤ÓáÅÐÇÅÕ·Õ辺ºèÍÂ
actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
ºÃóҹءÃÁ
| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |