Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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... suggests an interest on the part much larger audience . ... to have been an intellectual upper class , of humanist origins and with humanist interests , that remained concerned with history painting and continued to patronize it .
... suggests an interest on the part much larger audience . ... to have been an intellectual upper class , of humanist origins and with humanist interests , that remained concerned with history painting and continued to patronize it .
˹éÒ 76
Interest ( in history painting was taken only by a relatively small group , mainly consisting of intellectuals , and it seems that many of them had no more than a very mild interest in the proper application of the rules of painting as ...
Interest ( in history painting was taken only by a relatively small group , mainly consisting of intellectuals , and it seems that many of them had no more than a very mild interest in the proper application of the rules of painting as ...
˹éÒ 209
Some specialized studies of interest are : S. Slive , Rembrandt and his Critics , 1630–1730 , The Hague 1953 ; O. Benesch , Rembrandt as a Draughtsman , London 1960 ; H. Gerson , Seven Letters by Rembrandt , The Hague 1961 ; C. White ...
Some specialized studies of interest are : S. Slive , Rembrandt and his Critics , 1630–1730 , The Hague 1953 ; O. Benesch , Rembrandt as a Draughtsman , London 1960 ; H. Gerson , Seven Letters by Rembrandt , The Hague 1961 ; C. White ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |