Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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A genre painting always presents a situation , which , through the introduction of key symbols , is reversed into a moral example . The Brothel Scene , for instance , done in 1658 by the fashionable Leiden painter Frans van Mieris the ...
A genre painting always presents a situation , which , through the introduction of key symbols , is reversed into a moral example . The Brothel Scene , for instance , done in 1658 by the fashionable Leiden painter Frans van Mieris the ...
˹éÒ 111
For good measure , he would add symbols of the 84 transience of natural beauty or introduce butterflies and snails ... All through the picture one finds discreet overlaps and shifts in direction , which have been introduced to convey a ...
For good measure , he would add symbols of the 84 transience of natural beauty or introduce butterflies and snails ... All through the picture one finds discreet overlaps and shifts in direction , which have been introduced to convey a ...
˹éÒ 208
... by G. Lemmens et good general introduction is J. Shearman , al . ) , which gives an acute summing - up of the style Mannerism , Penguin Style and Civilization , and development of all the major painters from the Harmondsworth 1967.
... by G. Lemmens et good general introduction is J. Shearman , al . ) , which gives an acute summing - up of the style Mannerism , Penguin Style and Civilization , and development of all the major painters from the Harmondsworth 1967.
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |