Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
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The humanist writers on art theory had borrowed a term , ' invention ' , from classical rhetoric . There it referred to the choice of a fitting and usually anecdotal example by which the orator might make his point more forcefully .
The humanist writers on art theory had borrowed a term , ' invention ' , from classical rhetoric . There it referred to the choice of a fitting and usually anecdotal example by which the orator might make his point more forcefully .
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What direction should invention take ? It should go from Nature towards Art . These two concepts , virtually opposed , began to play an important part in the criticism and discussion of art ; and they apparently influenced the judgment ...
What direction should invention take ? It should go from Nature towards Art . These two concepts , virtually opposed , began to play an important part in the criticism and discussion of art ; and they apparently influenced the judgment ...
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16 lore - from which Bosch drew most of his subject matter that are truly marvels of invention . The Leiden painter Cornelis Engebrechtsz . ( c . 1468-1533 ) fell back on another northern skill to dramatize his Lamentation , in about ...
16 lore - from which Bosch drew most of his subject matter that are truly marvels of invention . The Leiden painter Cornelis Engebrechtsz . ( c . 1468-1533 ) fell back on another northern skill to dramatize his Lamentation , in about ...
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actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
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| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |