Dutch PaintingDutch art spans the history of Western easel painting from the Middle Ages to the present, and has a psychological development of its own which makes it a fascinating field of study. |
¨Ò¡´éÒ¹ã¹Ë¹Ñ§Ê×Í
¼Å¡Òäé¹ËÒ 1 - 3 ¨Ò¡ 65
˹éÒ 123
The theorist Van Mander , writing early in the century , singled out for praise those landscapes which were painted ' from the ... He meant that in the mind the artist would reflect upon nature and then order the motifs into a landscape ...
The theorist Van Mander , writing early in the century , singled out for praise those landscapes which were painted ' from the ... He meant that in the mind the artist would reflect upon nature and then order the motifs into a landscape ...
˹éÒ 136
113 RUISDAEL View of Haarlem 114 HOBBEMA Wooded Landscape 1667 IIS BOTH Peasants with Mule and Oxen 113 114 conceived in its fundamental instability ; everything may change at any moment , and these landscapes are , through their ...
113 RUISDAEL View of Haarlem 114 HOBBEMA Wooded Landscape 1667 IIS BOTH Peasants with Mule and Oxen 113 114 conceived in its fundamental instability ; everything may change at any moment , and these landscapes are , through their ...
˹éÒ 210
An important general study is J. Pope- Most of the existing monographs are not very Hennessy , The Portrait in the Renaissance , London satisfactory ; written a long time ago , before meaning 1966 . in landscape became an issue ...
An important general study is J. Pope- Most of the existing monographs are not very Hennessy , The Portrait in the Renaissance , London satisfactory ; written a long time ago , before meaning 1966 . in landscape became an issue ...
¤ÇÒÁ¤Ô´àË繨ҡ¼ÙéÍ×è¹ - à¢Õ¹º·ÇÔ¨Òóì
àÃÒäÁ辺º·ÇÔ¨Òóìã´æ ã¹áËÅ觢éÍÁÙÅ·ÑèÇä»
©ºÑºÍ×è¹æ - ´Ù·Ñé§ËÁ´
¤ÓáÅÐÇÅÕ·Õ辺ºèÍÂ
actual aesthetic Amsterdam architectural artist background basic beautiful became become called Christ church classical clear clearly close colour compared composition conception concern contemporary continued Cornelis Cornelis Cornelisz course culture detail direct Dutch early elements especially example expression fact feelings figures followed formal function genre gesture gives Haarlem Hals hand history painting human imagination important individual influence instance interest introduced invention Italian Italy landscape later less light logical look Mannerism master meaning Mondrian moral motive move movement narrative nature objects organization painter pictorial picture portrait portraiture precise present problem reading realism reality reason reference reflects relation Rembrandt scene seems sense seventeenth century shows signs similar space still-life story strong structure style suggests symbolic tradition tree typical usually visual
ºÃóҹءÃÁ
| ª×èÍ˹ѧÊ×Í | Dutch Painting World of art |
| ¼Ùéáµè§ | Rudi Fuchs |
| ©ºÑº | ©ºÑº·ÕèÁÕÀÒ¾»ÃСͺ |
| ¼Ùé¨Ñ´¾ÔÁ¾ì | Oxford University Press, 1978 |
| µé¹©ºÑºÁÒ¨Ò¡ | University of Michigan |
| á»Å§à»ç¹¢éÍÁÙÅ´Ô¨Ô·ÑÅ | 1 ¸.¤. 2009 |
| ISBN | 0195200608, 9780195200607 |
| ¤ÇÒÁÂÒÇ | 216 ˹éÒ |
| Êè§ÍÍ¡¡ÒÃÍéÒ§ÍÔ§ | BiBTeX EndNote RefMan |